Sunday, March 15, 2009

Lace fabric on ID dresses-part 1

Lace on irish dance dresses is used on all parts of the dress like the sleeves, the panels, the cape or a soft underskirt. Most of the time the lace is used as-is, or it is combined with a backing fabric as an overlay to create interesting patterns and sparkle. A trend that is currently rising is the use of lace appliques to replace the embroideries on the bodice or skirt or to combine patches of lace with embroidery work to create a nice pattern.
Some of the "readymade'" applique lace pieces out there made for beauty pageant-, ballet- or wedding dresses are very suitable for this purpose.




When you cannot find what you need however, you might want to look for fabrics with elegant embroideries in repeating patterns that you can cut out and create your own lace appliques.

The process used to shape and mould the fabric or cut lace pieces is a very well know technique in couture dresses. Many wedding dresses or evening gowns with stunning lace borders or allover designs are usually "pieced" together from a border or straight piece of lace fabric to suit the designers' needs. Patterns can be made by adding shapes together, overlapping them or shaping them to follow a border or neckline. You don't need much lace to spice up a dress. Half a yard of lace pieced together and appliqued on a bodice or skirt can already have a great effect on the look of a finished dress.

When choosing a fine lace to work with, like Alencon or Chantilly lace it is often overwhelming to choose from all the options available. To choose the right fabric for the job, you need to ask yourself how you want to use the lace. When applying it as an overlay you need to look at the allover effect the fabric is giving you. When using only parts of the lace, you need to check if the fabric provides you with nice shapes or patterns to be cut out and pieced onto the dress. Most-if not all- laces have repetitive patterns, but not all of them are suitable for Irish dance dresses. (Be careful not to make your irish dance dress look like an altered wedding dress). Try to imagine how certain patterns from the fabric would look on your dress and if that suits your taste. The scallops and patterns from the fabric need to match the rest of the design and the person who is wearing it. Designs that are too small will be lost and designs that are too large will overwhelm the dancer.



When choosing your fabric, examine the borders that are present on the lace. Borders are usually more elaborately embellished than the main fabric and will no doubt be used most frequently on your dress. Full and wide borders provide great opportunities to cover the cuffs of a sleeve, the waistline of a bodice or be shaped to follow the neckline. Sometimes choosing a lace galloon (a narrow border piece of lace) might prove to be a wiser choice than an allover lace fabric. When using a lace as a theme in a dress, it might be an option to consider matching laces together to benefit most from the embellishments on the fabric. If, for instance, you are using a white allover lace for the bodice or skirt, you might be able to match this with a lace galloon in the same style and color to provide you with more border "yardage". It might be difficult to match special colors, but it is worth looking for if it means not having to buy another yard or two of the allover fabric only to have more border fabric.



To try and make a good estimate on the yardage needed, it is wise to shop for the lace with a set of paper or muslin pattern pieces. With the pattern pieces put under the lace, you can precisely see how large certain patterns will be and where they could be placed.

After determining the place of the lace on your irish dance dress, you can cut out the pieces. When using individual motifs, you need to trim the net fabric close to your motif edges, but you need to leave a tiny amount of netting to keep the threads making up the motif in place. If you do cut through the cording or the chain stitching holding beads, sequins or pearls, try and secure these by hand sewing or with a tiny amount of tacky glue.



Lace can be used transparent or underlined with a second fabric to create nice contrast. If you want to preserve the transparent quality of the lace, but the fabric itself is quite delicate, then using organza in a matching color to stabilize the lace is a great option (the organza will make the lace slightly more opaque). You can also use different shades of organza to intensify a certain color. If you have an orange lace for example, it can be made more red, orange, white or yellow by trying out different colored backgrounds.

Hand stitching your lace will give you the best control and most invisible result. Even though very labour intensive, the piecing of lace by hand will disturb the lace the least and the tiny stitches will be almost invisible. When using corded lace you can follow the lines of the cording to attach your piece. Heavily embroidered laces with wide satin stitch lines are best machine stitched in place with a matching thread covering the original satin stitch.
Straight borders can be cut and re-stitched to follow curves. For sharp curves you need to cut deeper into the lace and either spread or overlap the lace to create the desired curve. Re-stitch the lace following the design either by hand or with the machine and cut away any excess from the bottom layer. When piecing shapes together make sure that the topmost piece has the more pleasing shape to follow. Remember that you can add small patches or shapes to motifs already present in the lace to make a shape more pleasing.

Saturday, January 24, 2009

Another embroidery set for irish dance dresses

I now have a second set of embroidery elements available through the Taoknitter site. This set consists of several elements suitable to make up a complete solo dress. They can be used in different ways to make necklines, sleeves and panels. Below is an example of what a dress could look like when using elements from this embroidery design set.



The panel of above example in more detail:



All prices for Lowland Design Embroidery files include a professional design fee and the licensing fee for use of the design on one dress only. Available in ART, PES, PEC, HUS, VP3, DST, EXP, XXX, EMB and others.
Please email taoknitter@gmail.com for further information.

Thursday, January 22, 2009

Digitized Design for embroidery machines

I am very happy to announce that from today, Lowland Design will be offering irish dance dress designs available in digizited format. These digitized designs can be used on embroidery machines to create your own solo dress! Right now there is one set of knotwork available already at the Taoknitter website. Go check it out here! or look at the pictures below for an example of a knotwork panel.

I will be offering many more designs up for sale in the near future. Knotwork panels, borders, necklines and loose elements that can all be used to make up your own design. For more information please visit the Taoknitter Arts website.


Sunday, December 21, 2008

Happy New Year!



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Tuesday, December 2, 2008

Oireachtas Amazing!

This weekend the Oireachtas na hEorpa were held in Zoetermeer, the Netherlands. I have danced in the Senior Ladies Open Championships and was lucky enough to get 4th place! I really did not expect to do so well and I could not be any happier!!



The weekend was long and sleep has been short, but it was great seeing all my senior ladies dancing friends. Lucie Samcova got an amazing 4th place in the Qualifiers for the Worlds and I wish her all the luck in Philadelphia in 2009!



Also great fun having a stall to show off my work and sharing it with my dressmaking friend and colleague: Sylvia from Burgdesign:


We had a great time sitting and hanging around, drinking coffee. Another dutch dressmaker also showed her face: Kirsten aka Cluich from Dance.net! Very nice of her to drop by and say hello. We were having quite a Tea Party!

Finally, a picture of me in my new solo dress for 2009:


If you spot me at the All Irelands in february, come say hello!

Thursday, November 27, 2008

For Lucie

No posts or pictures of this dress when it was still under construction. I simply did not have the time! I've been working day and night to get this dress finished so that Lucie has something to wear at our Oireachtas this weekend. It was finished late last night and I took a quick picture with my phone camera just to show (and I did promise myself no more dresses leaving the house without a picture!). So, a bit blurry and dark and not the best quality, but here is it is from sketch to reality:












Now it is Lucie her turn to stay up all night to glue all the crystals to her dress! I'm sure it will be all sparkly when I see it again on saturday :-)


Sunday, November 16, 2008

Dress alterations

Many dresses from a few years ago do not have the elongated bodices everyone asks for nowadays and this usually leaves the skirt too long. The following is an example of a simple alteration that can be done to a (second hand) dress that might not fit in the lower skirt-area.

BEFORE:


In the before pic you can see that the upper body seems to fit, but the skirt is too long. The skirt is also a bit too wide and heavy and is collapsing on itself in the front (which needs to be a stiff, straight panel, not a wobbly one).
I decided to take the length of the hem and re-stitch the hemline in a black satinstitch. The front panel was also re-stiffened when I opened it up at the hem, making it nice and crisp again.

AFTER:




The nice thing about this dress is that is was made "economical". There are ties in the back that can cinch in the waist and the cuffs on the sleeves can be adjusted up or down. This dress was made with growing children and multiple years of usage in mind.

Thank you Debbie, for letting me work on your dress. I hope you will love and wear it for a long time!

Monday, November 10, 2008

FOR SALE

I have just listed 2 new dresses for sale!

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Lovely 4-panel dress, made by Annelies Danton worn by an intermediate/open dancer of mainland Europe. Made of bluegreen silk with holographic silver, blue and pink glitterdot applique. Hot-pink and silverholographic thread is used for the applique. The sleeves are stunning and eye-catching green and silverglitter flowers with white lining. Lining of the dress is off-white. Pleats give a special effect of blue holographic glitterdot when being kicked out. Including hearpiece in blue, silver and hot-pink. Bloomers can be made with the extra lining material. Dress was made for a quite tall, 175 cm, girl of 14 years and has been worn about 8 times.

Measurements ( in inches )
Chest 33
Natural waist -- (please ask the seller for this measurement)
Bodice length from shoulder to waist seam 18
Skirt length from waist seam to hem 17
Sleeve length from shoulder to hem 24
Shoulder seam to shoulder seam across top of back 15
Back full length-top of zip to hem 34
There is let down room in the back near the zipper

Asking €400 shipping included within The Netherlands, overseas shipping extra. Please email the seller with any questions.

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Nice, sparkling turquoise velvet 3-panel dress with hot-pink, yellow, black, white and silver rainbow glitterdot applique. Applique is embroided with silver and hot-pink metal thread. Lining is white with hot-pink lamé. Headpiece with crystals included.

Measurements ( in inches )
Chest 30
Natural waist 27
Bodice length from shoulder to waist seam 16
Skirt length from waist seam to hem 17
Sleeve length from shoulder to hem 23
Shoulder seam to shoulder seam across top of back 12
Back full length-top of zip to hem 30

Asking €275 shipping included within The Netherlands, overseas shipping extra. Please email the seller with any questions.

Friday, November 7, 2008

There is no such thing....

As too much **BLING** !!!

Just to show you the bodice of my new solo dress with the crystals on :-)

Sunday, November 2, 2008

Ilse in her new dress

Needless to say, she looks very happy in it :-)